Category Archives: Music

Lifestyle, Music

Secret Is Out Cormier Dunning Lauzon

The Nickelodeon folk club hosted these guitarists last night to a sold out show. This is a quaint venue and by all accounts…this act deserves a bigger arena. They are seasoned pros with decades of guitar playing experience with Dave Gunning and J.P. Cormier operating in tandum since the mid nineties. Jake Lauzon has proved to be a travelling companion producing yet more gel to the stage chemistry.

There’s so much material in addition to yet another release titled “Leather and Dust” that fan favourites “Kelly’s Mountain”, “Molly May”, and “Leaving Charlottetown” didn’t make the set list. Not only did they bring the house down but Dave Gunning’s dry humour with his soft spoke voice left some patrons in fits of laughter.

J.P.’s roots started out by winning fiddle and guitar contests in his youth. From there basic training involved acclimatizing to the fast tempo of bluegrass in the southern U.S where mandolin and banjo chops advanced in the company of the Sullivan family. 

Dave Gunning is simply a work horse with melody emanating oftentimes in an octave altered from the lead playing of JP. Dave is ribbed among “String Theory” enthusiasts (weekly guitar talk show hosted by J.P)  for how high he capos the guitar. The personality differential between these two is obviously broad adding to the appeal.

The guitar playing is something to behold. J.P exhibits scale mastery along the neck and utilizes open strings and altered chords for piquing interest. Then there is the dynamics and flow of a song that shows how extremely synchronized these two have become. 

We don’t know Jake well yet but the word is that he’s also a multi-instrumentalist at the ready for whatever flavour needs added to a song. 

The Western Canadian portion of the tour is underway and dates are posted on their web site “gunningandcormier.com”.  

Economics, Music

Never Subscribed To Spotify

It’s quite the conundrum for musicians spawned by the era of virtual streaming and Napster’s historic foot hold. As of yet, I’ve never subscribed to Spotify. My reading of Johnny Cash’s autobiography has been inspired by the “Life In Music” series of Canadian bluegrass / folk guitarist J.P. Cormier. It’s been interesting to learn of dysfunction and cronyism behind the recording industry which may have produced my hesitancy in subscribing to Spotify. The Neil Young disconnect with Spotify and Joni Mitchell’s follow on weaves its semantic influence of my perception on the consumption of music. Context is such that my own musicianship has been on the rise of late.

I never understood the Napster appeal. I never understood why folks surmised that they deserved good music for nothing. Convenience is one thing and fair remuneration is another. We are apparently inherently self interested enough to circumvent the financial welfare of those who feed our id. The Spotify membership is affordable for all and this was a business model which obviously generated mass appeal and has consequently led to a monopolistic landscape for music consumption. It’s the reality and what is often the case for the masses generates hesitation by yours truly. The general sentiment for those with some semblance of taste is that music on the radio right now is uninteresting yet somehow the business side of radio has come to learn that this style of music aligns with advertisers. CDs and vinyl are now becoming tougher to access. Musicians are not necessarily adept at the distribution side of their own work. Production runs on vinyl require minimum orders which may exceed demand.

The consumption model for receiving music may be under scrutiny right now. That’s not to say that the Neil Young / Joni Mitchell spat with Spotify has initiated such but the egregiously low streaming royalty rates have not been sitting well with artists for some time. Undoubtedly times are changing and musicians such as blues comer Samantha Fish who seems savvy around business may start becoming the instigators of a modern form of the “label”. 

Music

Into The Groove with Madonna

Although “Like a Virgin” was the launching pad for Madonna, “Into The Groove” in my opinion was the sounding board epitomizing her stellar career in music. It also showcased her surprising talent on screen in “Desperately Seeking Susan”. I ponder how many incredible 80’s songs were inspired by the successes of Madonna and Michael Jackson. It was such a phenomenal time to have an ear to the radio irrespective of over played hits.

There’s nothing particularly interesting about the chord combinations but the changes are very well timed with the beat amidst a synth sound reverberating throughout. The coolness of the track melded with the rawness of her character in the movie. There is nothing cerebral about it. It’s all feel. It’s all vivacious no holds barred fun. How much of the free-wheeling Susan Thomas from the script was inherently Madonna? Enough I suspect to give the movie that intrigue value eliciting commercial success. The spirit within the groove certainly featured the movie fully and composer Thomas Newman had his hands full filling in.      

Lifestyle, Music

Stampede Bound

That’s right. I will visit the Stampede grounds in 2021 in lieu of the fact that I’ve done everything my governments have asked me to do in overcoming the pandemic along with the majority of others. Consequently, we’ve had success in Alberta and the health department has worked closely with the Stampede in adjusting to the landscape accordingly. Although, I am often suspicious of governments’ ability to perform, I actually believe on this front…they’ve done alright after failing to ground jets early and I give them credit. Professional musicians, vendors, entertainers deserve my support. The recording landscape for musicians is challenging and streaming platforms pay poorly. Live venues is where most musicians earn their bread and butter and you know what demographic has been hit hardest over the past sixteen months. The Stampede will employ hundreds of students this year many assigned to administering Alberta Health protocols.

There are some tremendous exhibits at the Stampede. I love the art exhibit and the trade booths filled with vendors selling the next best thing. The Big Four should have its stage running and there’s bound to be some great acts show up. In fact Blue Rodeo will appear on the Stampede Summer Stage (formerly the Coca Cola Stage) on closing night. The people watcher in me will be in tune while munching a corn dog and cracking a Coors (haven’t had a cool one in months).

You may not know that the Calgary Stampede Showband is a six time world champion in it’s discipline.

Hopefully, the Clydesdales show up. A great uncle was a trainer of these monster horses and mom would rail on about the majestic tranquility of these animals. I love seeing the reaction of children who may have just seen them for the first time.

On occasion my eyes will be peeled in awe of teenagers in glee twirling along in the Wave Swinger. There’s no mention of the slingshot making a return engagement but we’ll see.

Nashville North will impose the strictest of protocols given the big tent and it looks like the Cowboys Dance Hall will be a no go this year. 

 Incidentally, my new office is just down the street from the grounds. How convenient.     

Music

Benefits of Learning Music Theory

When learning to play an instrument, we occasionally have “ah ha” moments as Ian Stich from Youtube’s Sitch Method likes to call them. Today I’ve had another of them as I run piano scales. If you’ve ever had a child in piano lessons, there’s a good chance they would have balked at the notion of doing scales. The piano teacher would say, there’s a long term benefit to learning scales which you’ll come to understand later. Well, unfortunately…later doesn’t arrive for too many music students because they view the task a just too boring with not enough melody.

Here is the thing: When running scales on the piano, we are hitting every note in a scale consciously and the mind develops awareness visually which aids in recalling chord triads and sevenths instantly. The visualization of roots, thirds, fifths and seventh via the keyboard would be akin to visualizing the notes on a staff. 

Additionally, if students run major and minor scales chronologically around the Circle of Fifths, the circle itself is memorized concurrently with scale tones. Consequently, chords within a key using the context of the circle take shape with repetition. Of course, there is the technical side of developing muscle memory around piano keys and efficient fingerings concurrently.

Imagine then moving the versatility of scale /chord / key mastery over to another instrument having put in the repetitions of running scales. Whole steps and half steps intuitively developed from running piano scales could be subconsciously applied to the new instrument with the Circle of Fifths lurking as an improvisational tool.

Guitarists could potentially take the theory of scale tone distances learned in piano and apply them to the fretboard accounting for the third / second string pitch differential or stick with the standardized three note per string pentatonic patterns taught more traditionally.

If a person can honestly espouse that they lack perfect pitch, lack some sense of relative pitch, and cannot intuitively “play by ear”, then that person might consider concepts of music theory practically to further advance play.

Over at my youtube channel, I hope to deploy more improvisation guitar / piano as I continue to apply concepts.  https://www.youtube.com/c/BlairSveinson