Category Archives: Music

Backstage At Loverboy

Forty years ago in Kamloops, B.C. as a teenager when at home listening to Loverboy’s self titled album with my aunt and mother on what can now be described as a vintage cabinet record player enraptured by songs titled “The Kid is Hot Tonight” and “Turn Me Loose” in no way could I have imagined that last night I’d be back stage of a concert in Calgary shaking hands with the lead singer Mike Reno and guitarist Paul Dean.

As if intended through some unknown protagonist, upon taking up guitar and piano there’s been opportunity to circulate in music circles and attend performances which have proved to be sources of inspiration and everywhere I turn I discover fellow amateur guitar players where we share about the instrument’s intricacies. 

Don’t be shy if you’re a single male in the crowd with a backstage pass encircling your wrist. Work it with the ladies preferably in a fashion that at least gets you a date. You see Tom Cochrane was actually the closing act and he apparently offered leverage power to backstage pass holder.

The question I had for Mike Reno last night was, “have you ever had voice training”? His answer was “no”. He still carries the high pitch exemplary of his singing. It’s not falsetto but just a high range he’s obviously carried throughout his career.

It was thanks to a client with connections that made this night out extra special. It was also fun to wear a neck badge with photo of the band purchased for me by my client’s wife from the souvenir stand. In response to perplexed inquiries I represented the keepsake as my “premium backstage pass” much to their astonishment and my silent guffaw.   

No photo….didn’t turn out. 

Obama At The Grammys

I’ll reference the unspoken and unpopular because it’s what I do here sometimes on my own forum. Wives of ex-politicians, ex-politicians, and politicians have no business on the stage of the Grammy’s unless they’ve won a Grammy for their contributions to music. Music is an escape from the tedium of political drama and hence the preeminent event should not become theatre for those who possess a larger agenda outside of the realm of music. It’s one more reminder of why I’ve cut my cable chord.

There would have been individuals in the audience with a life-long commitment to their passion for music who had never gained a whiff of that stage having been overlooked by The Recording Academy despite much success and hard work toward their craft. Society has unfortunately been overrun by elitists with special entry back stage passes who need their ego stroked at every turn. Don’t get me wrong. I have nothing against Michelle Obama. On the contrary, I find her to be articulate and warm with generosity in her heart. This was simply not her place.    

Shoegaze and Slowdive

Shoegaze music became a shadow or back seat genre of the grunge scene during the 90s. Typically played in the minor keys, the name came from lead guitarists’ fixation on their feet due to the operation of numerous effect pedals daisy chained on stage. Thanks to KEXP radio, I discovered Slowdive which may be the preeminent band associated with the genre. To the band’s surprise upon reuniting in 2014 after a long hiatus due partly to unflattering reviews, audiences hailed them dearly in London and Barcelona. Their return has been invigorated with a hot new album self titled “Slowdive”.

 My characterization of the music is “sombre mood”. If you’re willing to go into the darkness, you’ll shimmy in calm. Just make certain you come out while not over cooking your playlist with it. While the distinction of chord movement is oftentimes muddled given the heavy use of reverb, the unrushed melodies can be impactful and pointed.

Much of my attraction to Slowdive is the modest stage presence and obvious band cohesiveness lead by lead song writer and front man Neal Halstead. What his childhood chum Rachel Goswell lacks in vocal range – she makes up for in musicality on guitar and keyboard.  Her voice tonality is actually fitting to the eclectic ambience illuminating live performances. Critical to the sensitive nature of the genre, the rhythm section has a strong feel for dynamics with Simon Scott intuitively in sync with bassist Nick Chaplin. Christian Savill rounds out the troupe on rhythm guitar.                

Wynterland Band Review

With tickets sold out at the Blues Can last night, I headed over to Mikey’s Juke Joint on 12th Ave SW with a friend and enjoyed classic rock from Red Deer’s Wynterland.

This is an energetic cover band that does remarkably well at capturing popular riffs of yesteryear. I stayed for their first two sets and enjoyed classics such from Fleetwood Mac , Boston, April Wine, Pat Benatar, Dire Straits, Pink Floyd, Toto, and Journey among others less familiar. It’s a fun stage presence hosted by vocalist / guitarist Wynette Johnson. The biggest take away of the evening was song selection. I don’t know if they had kicked in all of Fleetwood Mac’s “Dreams, “Rhiannon”, and “Go Your Own Way” because of the news of FM’s concert postponement but if so, that was intuitive. Patrons obviously took to the rhythm section filling the dance floor from the outset. “Sign of the Gypsy Queen” from April Wine definitely had me reeling in Nostalgia as these guys delivered on this track pretty much note for note. 

When coming away from such an occasion, I reflect on the hard work that local musicians put into recreating popular songs for our enjoyment and the breadth of commitment required for band members to operate cohesively in this part time endeavour while maintaining full time careers. Although reduced …thankfully, Calgary has venues still available for these gigs. Go out and show your support. These bands need us.